Man in his relations
In his early work, Golawski, with heavy, dark and melancholic colors, created a rigid symbolism, in which the de-personalization premise was the canvas, which at the same time represents a work-up Loss of the individuality of the individual person in the communist-controlled society. The strict ideology of ideology, which, like all other intellectuals, had to subject Golawski to his ideas of filming, is clearly expressed.
For eight years, he has taken a painterly look at the work done so far and the reorganization of his thinking into a democracy. Suddenly, the turn came into his oeuvre in 1989.The heavy, often oppressive colors have given way, make for a perceptibly positive 'new orientation'; Furthermore, Golawski brings vitality through its variableFigurative symbolism in the picture. Human relations, in particular the
Gender-specific expressions such as love affection, rejection become the centerpiece of his pictorial statements. The stone symbolism, comparable to blocks cast in concrete, loses itself more and more in favor of openers, clear strokes, softer
Florar shapes and moving shadow chisel figures. While in the early work the head was not the seat of individuality in his pictures, but only in Herr-
Has become significant, his people now get head symbols and
Gender characteristics.In his graphics, geometrical circular segments, angular sections andParallels the psychological aspects which he assigns to his human symbol as his own experiences.Golawski 's mastery of the past is now complete and man with hisRelationships and problems with the partner, society, etc., and is now the dominance and occasion of his inexhaustible creation
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