Man in his relations - Part
In his early work, Golawski, with heavy, dark and melancholic colors, created a rigid symbolism, in which the de-personalization premise was the canvas, which at the same time represents a work-up Loss of the individuality of the individual person in the communist-controlled society. The strict ideology of ideology, which, like all other intellectuals, had to subject Golawski to his ideas of filming, is clearly expressed.
For eight years, he has taken a painterly look at the work done so far and the reorganization of his thinking into a democracy. Suddenly, the turn came into his oeuvre in 1989.The heavy, often oppressive colors have given way, make for a perceptibly positive 'new orientation'; Furthermore, Golawski brings vitality through its variableFigurative symbolism in the picture
