The Mystery of Femininity
Knightly, with the head bowed down, he kneels before his admirer, who admires the homage, gracefully and with a proudly carved breast, demonstrating a powerful self-assertion, another man follows the man, who follows his back at a reasonable distance.
Whether imprinted on the canvas or molded in iron sculptures, the figures of the sculptor Edmund Golawski convey the inexhaustible spectrum. Neither dramatically nor pathetically, they stand in space gentle inclinations, gentle reflections to the side to clearly grasp situations of feeling sensations The masculine view, Edmund Golawski often portrays the male part in the background, Angular and angled clearly definable. The feminine form with its pictorially shaped individual character emerges and determines the action. A polarity, the domination of the female, becomes perceptible, a tension arises and urges to unload. The intertwined interplay of the characters seems almost dancinely easy, playful. The ever-recurring dance of the erotic weave, the still unburdened tender flirtation, the eternal spectrum of human emotions, determines Golawski's own mood, which he sensitively transfers to his ironmen and graffiti-like sprayed canvas pictures. In his constant search for the ideal image of a woman, he is confronted by a mystery of unsolvability, a figurative elevation.

 Artworks

 

tenth chapter
the  dream of a perfect world
the colorful diversity of life
the paths of life in excerpts
the rules of tem game in the eternal game
life doesn't take a lunch break
in the name of faith
in the hustle and bustle of life , we encounter each other
seeing loneliness through colored galss
running lines with acurious
excerpts from life
drawings yesterday and today
a woman with all facets
mystery of femininity.b
iron sculptures

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The Mystery of Femininity -Part Knightly, with the head bowed down, he kneels before his admirer, who admires the homage, gracefully and with a proudly carved breast, demonstrating a powerful self-assertion, another man follows the man, who follows his back at a reasonable distance. Whether imprinted on the canvas or molded in iron sculptures, the figures of the sculptor Edmund Golawski convey the inexhaustible spectrum. Neither dramatically nor pathetically, they stand in space gentle inclinations, gentle reflections to the side to clearly grasp situations of feeling sensations The masculine view, Edmund Golawski often portrays the male part in the background, Angular and angled clearly definable.