in the name of faith
drawings yesterday and today
excerpts-from-life
in-the-hustle-and-bustle-of-life-we-encounter-each-othe
flowing-landscape-in-lonely-silence
the-dream-of-a-perfect-world
iron-sculptures
the-colorful-diversity-of-life
seeing-loneliness-though-colored-glass
running-lines-with-acuriou
mystery of femininity.a
mystery of femininity.b
bullet
the-rules-of-the-game--in-the-eternal-game
the-paths-of-life-in-excerpts
life-doesn-t-take-lunch-break
tenth-chapter
-awoman--with-all-her-facets

INDEX

The Mystery of Feminity - Part

Kinghtly, with the head bowed down, he kneels before his admirer,

whoadmires the momage ,gracefully and with aproudly carved breast,

 demonsting a powerful self - assertion, another man follows the man ,

 who follows his back at areasonable distance. Whether imprinted on the canvas

or molded in iron sculptures, thefigures of thesculptor Edmund Golawski

convey the inexhaustible spectrum. Neither dramatically nor pathetically, the

stand in space gentle inclinations , gentlereflections to the side to to cleary

grasp situations of feeling sensations.Themasculine view,Edmunolawski often

 portrays the male part in  the background ,Agular and angled clearly definable.

The feminine from with its pictorially shaped individual character

 emerges and determines the action.

frist there is great joy, and then comes emtiness.a

art current, text , , info, Art New, newspaper. .

Here you will find articles from the monthly issue of "Art New."

The Mystery of Femininity -Part Knightly, with the head bowed down, he kneels before his admirer, who admires the homage, gracefully and with a proudly carved breast, demonstrating a powerful self-assertion, another man follows the man, who follows his back at a reasonable distance. Whether imprinted on the canvas or molded in iron sculptures, the figures of the sculptor Edmund Golawski convey the inexhaustible spectrum. Neither dramatically nor pathetically, they stand in space gentle inclinations, gentle reflections to the side to clearly grasp situations of feeling sensations The masculine view, Edmund Golawski often portrays the male part in the background, Angular and angled clearly definable.